Communication and Publishing News from Turin
Communication (in particular through the Internet) and publishing do not get along very well, in Italy. Reason? Perhaps because in this sector dominates the top an average age that produces, say, a marked digital divide between the leaders of Italian. People maybe very good, but with concepts such as interactivity or web 2.0 should be complete in difficulty setting.
But we want to build a publishing house that very point on the Net, which we consider not only a useful space to advertise content (which is already important for a publishing house that aims to publish books often "uncomfortable") but that for the its horizontal trend, develops discussion, participation, report: in short, substantive democracy.
For some days we are online with the site
www.editoririuniti.net
and is still a beta version, far from what we want to achieve soon in terms of interactivity and dynamism. But in the meantime we have already opened up a Facebook profile ... and we were literally overwhelmed by requests for membership (in two days we received 482 friend requests, and just think that Chiarelettere, one of the few publishing houses to do some work on the Web is little more than 600 ...). That marks the expectation that surrounds the revival, renewed, this publishing house. But also, I believe, the desire for widespread participation, more and more seeking new channels for expression.
We hope that in this sense, the new Editori Riuniti can be a useful tool.
Here is our first press conference.
Press
The publisher Editori Riuniti back on the scene and introduces the new publishing program to the reading public, to professionals from the worlds of culture, politics and the media, Wednesday, June 24 at 11:00 am, at the Senate Library, Piazza della Minerva 38, Rome. The managing editor is
Alessio Aringoli. The editorial board, who will attend the press conference, includes among its members Richard Bellofiore, Gabriel Bonacci, Edward Bruno, Marina Caffiero, Salvatore Colella, Giorgio Cremaschi, Paul Franks, Ernesto Galli della Loggia, Marcello Panni, Alessandro Portelli, Bruno Roberti, Piero Sansonetti, Mirella Serri, Claudio Sestieri, Stefano Tassinari.
The publishing house, founded in 1953, was renewed in men and organization, with a continuing effort to keep abreast of major changes in historical, political and cultural aspects of contemporary society. Editori Riuniti, until 1989 the publisher of reference of the Communist Party, has experienced the same decline thereafter. In the Senate Library will present figures of culture and politics as Italian Emanuele Macaluso, Robert Fulco Pratesi, as well as bronchitis, historical memory of the publisher.
The return of Editori Riuniti, as an actor in the independent publishing scene, there is a path of continuity with the historical tradition of the past, with significant signs of innovation and originality. "Books to shake the country - said the editorial director Alessio Aringoli - to be present with documents, studies, research, surveys for the protection of rights and against any lawlessness. We aim to a renewal of the contents and organization of the publishing house, focusing on young people and appropriate use of all new media, as well as to innovations in the structure of promotional, commercial and distribution of publishing. "
The publisher is working on a project that aims to take root in the national perspective with a strong increase in the international arena. The activity recovery of Editori Riuniti focuses around a series of new publications.
Immediately we start with some evidence of impact. A book on the earthquake investigation of Abruzzo, with the signatures of Marco Travaglio and Vauro Senesi, which raises disturbing questions and so far no reply is dead on April 6 of that on reconstruction, and due out in bookstores a few days before G8 Aquila. Investigation (Three suicide excellent) Mario Almeida of the court on years of Tangentopoli. A novel about love story between two reporters of war, Nadeje Dominique. And then a book on Facebook (which raises the historical series of books based Tullio De Mauro), and new editions of classic texts in the catalog (Tutino, Longhi, Brandi). Comes in with the new library also Literary Editori Riuniti, a prestigious literary magazine with the signatures of social Carlo Lucarelli, Massimo Carlotto, Pino Cacucci, Wu Ming, Bruno Arpaia. Finally, scheduled for after the summer, along with a new batch of surveys, manuals, essays and novels, including the new edition of a text approved by the President of the Republic, Giorgio Napolitano.
Monday, June 22, 2009
Preggnant Prom Dresses
physics and esotericism, a new way of thinking
The big difference between knowledge of scientific and esoteric knowledge is that science is based on experimental data of objective, open to verification and monitoring by all, (and therefore recoverable) and the esoteric is a kind of knowledge which by its nature is open to all but a few initiates who share access to a knowledge or experience an exclusive (and therefore has features of non-repeatability).
Scientific is therefore synonymous with objective, subjective esoteric, that is not objective and therefore not repeatable.
But the latest findings of quantum mechanics have emphasized the role of the conscious subject so much that lead to the inescapable conclusion that nothing can exist beyond the perception of the subject, and therefore does not make sense to attribute objectivity (that is, its existence and independent ) to anything simply because that nothing can exist beyond being perceived.
This view in fact reduces the position of science (as it is commonly understood today in the western world) to that of a mere esoteric belief in the primacy of matter, which has the same status on the ontological level of faith. What scientific
becomes just one of many methods of investigation of reality, nothing and nothing more or better, from any point of view, other kinds of knowledge developed by man.
disappears then the primacy of Western science, and between physics and New Age there is no virtually no ontological difference.
Continue to: Physics and esotericism
The big difference between knowledge of scientific and esoteric knowledge is that science is based on experimental data of objective, open to verification and monitoring by all, (and therefore recoverable) and the esoteric is a kind of knowledge which by its nature is open to all but a few initiates who share access to a knowledge or experience an exclusive (and therefore has features of non-repeatability).
Scientific is therefore synonymous with objective, subjective esoteric, that is not objective and therefore not repeatable.
But the latest findings of quantum mechanics have emphasized the role of the conscious subject so much that lead to the inescapable conclusion that nothing can exist beyond the perception of the subject, and therefore does not make sense to attribute objectivity (that is, its existence and independent ) to anything simply because that nothing can exist beyond being perceived.
This view in fact reduces the position of science (as it is commonly understood today in the western world) to that of a mere esoteric belief in the primacy of matter, which has the same status on the ontological level of faith. What scientific
becomes just one of many methods of investigation of reality, nothing and nothing more or better, from any point of view, other kinds of knowledge developed by man.
disappears then the primacy of Western science, and between physics and New Age there is no virtually no ontological difference.
Continue to: Physics and esotericism
Thursday, June 18, 2009
Tuesday, June 16, 2009
Masquerade Invitations
microwave weapons warheads in Iraq - Documentary RaiNews24
http: / / video.google.com / videoplay? docid =- 1430508785446392278
Documentary Rai News 24 on the microwave semisegrete new weapons used in Iraq, their power adjustable makes them usable as non-lethal weapon called "active denial technology" (" active denial technology ") to use against civilian marches and demonstrations in the cities. Bus
crumpled like wet clothes by invisible rays, projectiles laser and plasma: the science fiction 10 years ago is now a more menacing than ever.
http: / / video.google.com / videoplay? docid =- 1430508785446392278
Documentary Rai News 24 on the microwave semisegrete new weapons used in Iraq, their power adjustable makes them usable as non-lethal weapon called "active denial technology" (" active denial technology ") to use against civilian marches and demonstrations in the cities. Bus
crumpled like wet clothes by invisible rays, projectiles laser and plasma: the science fiction 10 years ago is now a more menacing than ever.
Monday, June 8, 2009
Frequency Of Hindi Free Channels
The natural vibration of the cosmos is agreed upon 432 Hz
The new "The"
The "Omega Revolution" of 432Hz
Luca Francioso www.lucafrancioso.com
Although the collective imagination and mathematics physics are a big and tedious problem to solve by June, because most of the time of the rigidity and lack of passion with which they are taught, in fact, their numbers and their rules are the basis of the dynamics of the world in which we live, willy-nilly, find them sooner or later we end up along the our way. I always have been served up as a duty and a vote necessarily high to take home, the day I discovered the music are revealed fascinating, redefining my interest and my curiosity about it. The music, mathematics "emotional" and physical "moving", he kidnapped with its laws and its numbers, and, still, I feel like a hostage and a happy lover paid.
Although surprised me not a little to think of it there is not much surprise in what I learned and I'm about to write. The following, if true, would only confirm the inexhaustible mystery that is hidden among the numbers that govern space and time that backdrop and the scheme rules do not You never stop trying to wonder.
Probably almost everyone knows about the note on which all modern music is synchronized. Hands up who has never heard a musician say, "Give me an A". As it is very likely to be common knowledge, the frequency of this note, namely 440Hz. This is the reference frequency that allows all the instruments in circulation to be accorded the same way. Unfortunately, many have ignored the origins, namely, that this frequency is only a fairly recent convention, that was arbitrarily chosen that the 440Hz frequency would be the global benchmark. It happened in London in 1953 (after the attempt the Nazi propaganda minister Joseph Goebbels in 1939 to achieve the same result).
In fact, the problem was known and discussed for years. Even Verdi was beaten because the frequency of the chorus (pitch) was the same for all, given its large fluctuations even from 435Hz up to 450Hz, resulting in a difference between the orchestras of times equal to a semitone. Here is what he wrote in a letter in 1884, addressed to the Music of the Italian Government Committee:
"Ever since it was adopted in France, the diapason normal (which then stood at 435Hz, nda), I was advised following the example also by us, and formally asked to orchestras in different cities of Italy, among others that of the scale, to lower the pitch conforming to the normal French. If the committee believes music created by our government, for the sake of mathematics, to reduce the vibrations of the 435 French vocalist in 432, the difference is so small, almost imperceptible to the ear, I adhere willingly. It would be serious, serious mistake, as it is taken from Rome proposed a tuning fork of 450 vibrations. I am also of opinion with you that lowering the vocalist does not alter the tone and the spirit of enforcement, but instead gives something more noble, more full and majestic that they could not give the screams of a chorister too sharp. For my part I would like one chorister is adopted throughout the music world. The musical language is universal, so why note that the name in Paris or Milan should be a B flat in Rome? ". In the letter
Verdi, who was unsuccessful in his attempt, he spoke of a reduction that would see him willingly and that the choir "normal" to a chorus of 435Hz to 432Hz, writing about a very important sentence: "The necessity for Mathematics."
What does this mean? To understand it well and with more clarity is necessary to introduce another frequency to 8 Hz.
On oscillations of 8 cycles per second, in fact, you could write a lot of things related and certainly interesting, but for that you must get enough reality to focus on three of the many considered by the various material that I have consulted:
1) Usually the waves of consciousness "ordinary" of the human brain vary from 14Hz to 40Hz. In this range only a few dendrites (smaller neuron fibers that carry nerve signals) of brain cells and mainly use the left hemisphere (the most rational) as a center of activity. If our two cerebral hemispheres synchronize the frequency of 8 Hz would work equally and with the maximum flow of information.
2) 8 Hz is the frequency of the double helix DNA.
3) 8 Hz is the beat of the fundamental of the planet, known as the fundamental cavity resonance Schumann, global electromagnetic resonances, ie, excited by electrical discharges of lightning in the cavity formed by the earth's surface and the ionosphere.
In musical terms, frequency of 8 Hz corresponds to a note of Gd. Going up to five octaves, that is five times along the seven notes of the scale, we arrive at a C of 256Hz, where the scale has a frequency of 432Hz and not 440Hz (instead of the scale where Do is 261.656 Hz). If you play the Sun to 256Hz, for the principle of harmonics that are added to a sound product and sub-multiples of that frequency, even Do the other eighth begins to vibrate in "sympathy", echoing the natural frequency of 8Hz. That's why the pitch of 432 cycles per second is called "scientific tuning fork" (among other reasons, and many mathematicians), tuning fork, which was approved unanimously at the congress of Italian musicians in 1881 and proposed by physicists Sauveur, Meerens, Savart and Italian scientists Montanelli and Fat Landi. In contrast, the frequency range in London in 1953 as the reference frequency on which the world and now all the music is synchronized, is called "discordant" because it has no scientific value with the physical laws that govern the universe.
One thing to take careful into account is that everything is energy in vibration. Every subatomic particle, atom, molecular structure, cell and organ in the body, everything vibrates at a certain frequency. This wonderful harmony is his own personal and vibrational signature.
Many doctors and scientists claim that the reason why one part of the body is sick because its frequency is altered and, consequently, the body vibrates so discordant. Being in good health, according to these scientists, is a vibrate harmoniously in unison. If you know the correct resonant frequency of a healthy organ and is projected on the sick, the body can return to its normal frequency, and then heal. If, by contrast, is projected on a frequency disharmonious a healthy body, this is sick.
So, according to data collected so far, playing and listening to music synchronized to 432Hz would resonate the body and the nature that surrounds him in a natural way, giving a sense of peace and prosperity, regardless of the hardness of the music that you chose to play or listen. In addition, because the music is "information", given the amount of data that creates a sound, the data reaches our not lose the resonance between the molecules of gases in the air carrying the sound (because they are incompatible with their molecular structure), what would happen playing at 440Hz, but would reach our field of resonance carrying with him all the information.
If listening to music, therefore, synchronized to the frequency of the pitch "scientific" freely give benefit to the entire planet and those who live, listen to music synchronized on a pitch "disharmonious" cause damage, resulting in stress, negative behaviors and emotional instability.
Given the horrifying side effects of this theory (think of all the music we hear every day), I think the assumption should be granted more than just a benefit of the doubt, because, if true, should be taken very into account, even music therapy, whose goal is precisely to be beneficial.
also interesting news from the past emerge reinforce this hypothesis: in some studies, in fact, it was found that the archaic musical instruments used by the Egyptians, as well as in ancient Greece were largely synchronized to 432Hz. It seems that even the original Stradivarius violin was built to play at 432Hz.
The "Omega Revolution", named by the father of these theories, Ananda M. Bosman (from whose book "432Hz, Omega Revolution," I extracted a lot of material for this article, along with that extracted from the studies, available online, the musician and scientist Andrea Doria. In any network you can find so much material about ) is the attempt of many scholars and musicians (often both) to restore the pitch to 432Hz and a natural standard tuning. For
tell the truth, it is written that there are many promoters of the "Omega Revolution" to be convinced that any interference on past and present, is a conspiracy by some power aimed at taking away from the reference frequency 432Hz, creating emotionally unstable and thus more easily controllable. Personally, for the moment leaving aside the question of the conspiracy (to which I have mixed feelings), I watch the whole thing with deep humility and curiosity, as well as a huge respect for all Studies on the facts and being part of scientists and musicians.
I'm trying to play and compose granted 432Hz and I must say that the difference is felt: after almost feel the influence of alcohol, there is a warmer more pleasant, although I can not say with certainty that it is scientifically useful to my body and nature. I believe that in cases like these, evaluated the scientific data produced to give credence to the theory, and finally a matter of faith. I'm posing the question, I hope this article will help to make us think even more.
Revolution Omega (pdf 1.2 MB)
Ananda M. Bosman
introduction of Andrea Doria
afterword by Flavia Vallega
From: www.ReNudo.it
Insights:
432Hz: Conspiracy Frequency
WHAT 'THE DARKROOM 432Hz?
http://www.darkroom432hz.net/
The new "The"
The "Omega Revolution" of 432Hz
Luca Francioso www.lucafrancioso.com
Although the collective imagination and mathematics physics are a big and tedious problem to solve by June, because most of the time of the rigidity and lack of passion with which they are taught, in fact, their numbers and their rules are the basis of the dynamics of the world in which we live, willy-nilly, find them sooner or later we end up along the our way. I always have been served up as a duty and a vote necessarily high to take home, the day I discovered the music are revealed fascinating, redefining my interest and my curiosity about it. The music, mathematics "emotional" and physical "moving", he kidnapped with its laws and its numbers, and, still, I feel like a hostage and a happy lover paid.
Although surprised me not a little to think of it there is not much surprise in what I learned and I'm about to write. The following, if true, would only confirm the inexhaustible mystery that is hidden among the numbers that govern space and time that backdrop and the scheme rules do not You never stop trying to wonder.
Probably almost everyone knows about the note on which all modern music is synchronized. Hands up who has never heard a musician say, "Give me an A". As it is very likely to be common knowledge, the frequency of this note, namely 440Hz. This is the reference frequency that allows all the instruments in circulation to be accorded the same way. Unfortunately, many have ignored the origins, namely, that this frequency is only a fairly recent convention, that was arbitrarily chosen that the 440Hz frequency would be the global benchmark. It happened in London in 1953 (after the attempt the Nazi propaganda minister Joseph Goebbels in 1939 to achieve the same result).
In fact, the problem was known and discussed for years. Even Verdi was beaten because the frequency of the chorus (pitch) was the same for all, given its large fluctuations even from 435Hz up to 450Hz, resulting in a difference between the orchestras of times equal to a semitone. Here is what he wrote in a letter in 1884, addressed to the Music of the Italian Government Committee:
"Ever since it was adopted in France, the diapason normal (which then stood at 435Hz, nda), I was advised following the example also by us, and formally asked to orchestras in different cities of Italy, among others that of the scale, to lower the pitch conforming to the normal French. If the committee believes music created by our government, for the sake of mathematics, to reduce the vibrations of the 435 French vocalist in 432, the difference is so small, almost imperceptible to the ear, I adhere willingly. It would be serious, serious mistake, as it is taken from Rome proposed a tuning fork of 450 vibrations. I am also of opinion with you that lowering the vocalist does not alter the tone and the spirit of enforcement, but instead gives something more noble, more full and majestic that they could not give the screams of a chorister too sharp. For my part I would like one chorister is adopted throughout the music world. The musical language is universal, so why note that the name in Paris or Milan should be a B flat in Rome? ". In the letter
Verdi, who was unsuccessful in his attempt, he spoke of a reduction that would see him willingly and that the choir "normal" to a chorus of 435Hz to 432Hz, writing about a very important sentence: "The necessity for Mathematics."
What does this mean? To understand it well and with more clarity is necessary to introduce another frequency to 8 Hz.
On oscillations of 8 cycles per second, in fact, you could write a lot of things related and certainly interesting, but for that you must get enough reality to focus on three of the many considered by the various material that I have consulted:
1) Usually the waves of consciousness "ordinary" of the human brain vary from 14Hz to 40Hz. In this range only a few dendrites (smaller neuron fibers that carry nerve signals) of brain cells and mainly use the left hemisphere (the most rational) as a center of activity. If our two cerebral hemispheres synchronize the frequency of 8 Hz would work equally and with the maximum flow of information.
2) 8 Hz is the frequency of the double helix DNA.
3) 8 Hz is the beat of the fundamental of the planet, known as the fundamental cavity resonance Schumann, global electromagnetic resonances, ie, excited by electrical discharges of lightning in the cavity formed by the earth's surface and the ionosphere.
In musical terms, frequency of 8 Hz corresponds to a note of Gd. Going up to five octaves, that is five times along the seven notes of the scale, we arrive at a C of 256Hz, where the scale has a frequency of 432Hz and not 440Hz (instead of the scale where Do is 261.656 Hz). If you play the Sun to 256Hz, for the principle of harmonics that are added to a sound product and sub-multiples of that frequency, even Do the other eighth begins to vibrate in "sympathy", echoing the natural frequency of 8Hz. That's why the pitch of 432 cycles per second is called "scientific tuning fork" (among other reasons, and many mathematicians), tuning fork, which was approved unanimously at the congress of Italian musicians in 1881 and proposed by physicists Sauveur, Meerens, Savart and Italian scientists Montanelli and Fat Landi. In contrast, the frequency range in London in 1953 as the reference frequency on which the world and now all the music is synchronized, is called "discordant" because it has no scientific value with the physical laws that govern the universe.
One thing to take careful into account is that everything is energy in vibration. Every subatomic particle, atom, molecular structure, cell and organ in the body, everything vibrates at a certain frequency. This wonderful harmony is his own personal and vibrational signature.
Many doctors and scientists claim that the reason why one part of the body is sick because its frequency is altered and, consequently, the body vibrates so discordant. Being in good health, according to these scientists, is a vibrate harmoniously in unison. If you know the correct resonant frequency of a healthy organ and is projected on the sick, the body can return to its normal frequency, and then heal. If, by contrast, is projected on a frequency disharmonious a healthy body, this is sick.
So, according to data collected so far, playing and listening to music synchronized to 432Hz would resonate the body and the nature that surrounds him in a natural way, giving a sense of peace and prosperity, regardless of the hardness of the music that you chose to play or listen. In addition, because the music is "information", given the amount of data that creates a sound, the data reaches our not lose the resonance between the molecules of gases in the air carrying the sound (because they are incompatible with their molecular structure), what would happen playing at 440Hz, but would reach our field of resonance carrying with him all the information.
If listening to music, therefore, synchronized to the frequency of the pitch "scientific" freely give benefit to the entire planet and those who live, listen to music synchronized on a pitch "disharmonious" cause damage, resulting in stress, negative behaviors and emotional instability.
Given the horrifying side effects of this theory (think of all the music we hear every day), I think the assumption should be granted more than just a benefit of the doubt, because, if true, should be taken very into account, even music therapy, whose goal is precisely to be beneficial.
also interesting news from the past emerge reinforce this hypothesis: in some studies, in fact, it was found that the archaic musical instruments used by the Egyptians, as well as in ancient Greece were largely synchronized to 432Hz. It seems that even the original Stradivarius violin was built to play at 432Hz.
The "Omega Revolution", named by the father of these theories, Ananda M. Bosman (from whose book "432Hz, Omega Revolution," I extracted a lot of material for this article, along with that extracted from the studies, available online, the musician and scientist Andrea Doria. In any network you can find so much material about ) is the attempt of many scholars and musicians (often both) to restore the pitch to 432Hz and a natural standard tuning. For
tell the truth, it is written that there are many promoters of the "Omega Revolution" to be convinced that any interference on past and present, is a conspiracy by some power aimed at taking away from the reference frequency 432Hz, creating emotionally unstable and thus more easily controllable. Personally, for the moment leaving aside the question of the conspiracy (to which I have mixed feelings), I watch the whole thing with deep humility and curiosity, as well as a huge respect for all Studies on the facts and being part of scientists and musicians.
I'm trying to play and compose granted 432Hz and I must say that the difference is felt: after almost feel the influence of alcohol, there is a warmer more pleasant, although I can not say with certainty that it is scientifically useful to my body and nature. I believe that in cases like these, evaluated the scientific data produced to give credence to the theory, and finally a matter of faith. I'm posing the question, I hope this article will help to make us think even more.
Revolution Omega (pdf 1.2 MB)
Ananda M. Bosman
introduction of Andrea Doria
afterword by Flavia Vallega
From: www.ReNudo.it
Insights:
432Hz: Conspiracy Frequency
WHAT 'THE DARKROOM 432Hz?
http://www.darkroom432hz.net/
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